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Post by archer beaumont. on Aug 17, 2008 13:36:00 GMT -5
ARCHER WESLEY BEAUMONT.“there’s still a little bit of you laced with my doubt.”
[/font] - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -introducing mr. archer wesley beaumont, resident heartbreaker of california. born and raised in bordeaux, france, daddy died when he was sixteen, leaving him with no role model. he and his ma were shipped off to the united states of america at his wishes, because she rolls in money and he goes where the money goes. he’s a sex addict, is shamelessly rich, has a tendency to flirt and likes to get what he wants. if you thought you knew the meaning of an alcoholic in denial, you don’t know anything until you’ve met archer – he’s a bit of a mess, but most people tend to love him anyway. what can i say? it must be the french genes… or the accent.[/center][/blockquote][/color]
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Post by archer beaumont. on Aug 17, 2008 13:36:13 GMT -5
THE REFLEX.
[/b][/size][/font] you've gone too far this time, but i'm dancing on the valentine • inseparablei tell you somebody's fooling around with my chances on the • best friendsdangerline. i'll cross that bridge when i find it, another day • trusted friendto make my stand. high time is no time for deciding if i should • confidantefind a helping hand. so why don't you use it? try not to bruise it • close circlebuy time don't lose it, the reflex is an only child, he's waiting • good friendin the park. the reflex is in charge of finding treasure • average friendin the dark, and watching over lucky clover, isn't that • drinking buddybizarre? every little thing the reflex does leaves you • partying buddyanswered with a question mark. i'm on a ride and i want to • childhood friendget off, but they won't slow down on the roundabout. i sold the • acquaintancerenoir and the tv set, don't want to be around when this • friend of a friendgets out. so why don't you use it? buy time don't lose it. • name basisNIGHTMARE.[/b][/size][/font] even on the darkest night when empty promises • go to hellmean an empty hand, and the soldiers coming • hardcore hatredhome like shadows turning red. and when the lights of hope are • hatredfading quickly then look at me, i'll be your homing angel • mutual dislikei'll be in your head. because you're lonely in your lonely • one-sided dislikenightmare, let me in. and there's heat beneath your winter • backstabbedlet me in. i see the delta traces living lonely out on limb, and a • cheatedpassing glimmer warm beneath your skin, please tread gently • rivalryon the ground when all around you turns earth to fire, only • friendly rivalryget a second chance when danger's on the wind. • friends turned enemiesbecause you're lonely in your nightmare, so let me in, because • jealousythere's heat beneath your winter, so let me in. must be lucky when • avoidanceyou find the kind of wind that you need; come on, show me all • indifferentthe lights and shades that make your name. i know you've got • annoyanceit in your head 'cause i've seen that look before, you've built your • tolerancerefuge but it turns you captive all the same. • by associationCRIME & PASSION.[/b][/size][/font] why did you let me run when you knew i'd fall for the gaping hole • in lovewhere your heart should be. liar, couldn't cut me deeper with a knife • spouseif you tried; just take a look (before you run off and hide), at your victim • final arise. clouds on your shoulder, are they grazed by the afterglow? • currenthow quiet they gather when the storm is about to blow. no • possible futuredon't look away, caught in the crossfire and it ain't no wind • past, good termsof change. i'm talking of crime and passion's rage; summer of • past, bad termsmadness or the undertow, dragging me up an alley for a • past, chemistryblossoming fire on a stranger's smile. bride of wire, how disguised and • flingeasily cracked you are, saw your heart turn spade, this orchid's • past crushturned to black. graze on your shoulder like the clouds in the • mutual crushafterglow, how quiet they gather when the storm is • one-sided crush, specifyabout to blow. no, don't look away, caught in the crossfire • friends with benefitsand it ain't no wind of change. i'm talking crimes and • enemies with benefitspassion's rage. way down by the shoulder in the haze of the • one night standafterglow, stranded together and the storm is about to blow. from this • lustcloud where i dangle in the blue, i spy you all tiny • physical attractioncreatures on the ground below. for my reckless being got me • on/off datingstrung up in the sky; but love is flawed, now see the lowlies cry • flirtingknowing that the thing i love is that which i can't touch • fleeting glancesPROPOSITION.[/b][/size][/font] "bring back that child," she said, "spare me the price • mixed feelingsof freedom," cold is my baby's head, blown by the wind of • bad influencereason. even the rage behind cries out to see, we're still • good influencestanding under the close edge, paying for the crime of • protective over youfeeling. when all your pride is dead, you must be • protective over archerscared instead; a quiet word is my proposition, a promise made of a • respectedfierce day; a body bleeds for this coalition, without surrender if • admiredyou stay. "show me youth," she cried, wasted for desolation. hold up the • herosacrifice, pull down your institution, resting while anger flies • obsessivequestions are the same: who's deciding after the clouds have lain? • stalkershame on your generation; when all your guilt lies dead • emotional supportyou must be scared instead. a quiet word is my proposition, a promise • mentormade of a fierce day; a body bleeds for this coalition, without • fake friendsurrender if you stay when all your pain lies dead. • other, specify[/center][/blockquote]
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Post by archer beaumont. on Aug 17, 2008 13:37:21 GMT -5
CREDITS.
[/b][/font][/size] - - - - - - - - - - - - - - - - - - - - - - - this plot is completely, utterly & totally © to ellis. please ask before you use it, yeah? because i actually spent over two hours on it. group titles & lyrics are by the lovely, amazing duran duran. the plot image is originally from gossipgirlfan.org but was edited by ellis. any questions, want to use it? pm me and stuff. and if you do use the plot, credit me, or i will come and i will kill you in your sleep. colours © color blender.[/center][/color][/blockquote]
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Post by archer beaumont. on Aug 17, 2008 13:40:24 GMT -5
THREE 100x100 ICONS[font=georgia][SIZE=3][b][color=677f99] FIRST[/color]MIDDLE[color=677f99]LAST[/color][/b][/size][/font]
relationships here
[b]your character says:[/b] "romeo o romeo, wherefore art thou romeo?"
[b]archer says:[/b] "right here, yo."
PLEASE DON'T POST IN CODE!
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Post by archer beaumont. on Aug 17, 2008 13:41:12 GMT -5
GENTLEMEN. - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
will go here. (:
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Post by archer beaumont. on Aug 17, 2008 13:41:42 GMT -5
LADIES.
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will go here. (:[/center][/blockquote]
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